Life in an ‘urban millennium’
- Photographer Bas Losekoot is fascinated by city life and its people
- He took photos in major cities across the world to study how its residents interact
- In 2007, a U.N. report said 3.3 billion people live in cities — 3% of the world’s surface
(CNN) Take one look at these images and you experience a range of city-life emotions. You feel the noonday sun beating down on your back, surging waves of people on every side of you. You sip your overpriced beverage and stare into the distance for a reprieve from the crowds and from a morning spent on your feet.
You see long shadows and you hear the quiet: the exhale of a city that’s been running hard and long all day — the settling down, the withdrawal of vendors and businessmen and every sort of tradesmen in between.
Dutch photographer Bas Losekoot is interested in these interactions, and by isolating them he examines “the mask that people are wearing on the streets, and things like the gaze — who’s looking at who?
“After that,” he said, “the street became a studio and the people became the actors.” He started in New York three years ago when he had this idea. “I was fascinated by this theme of the ‘urban millennium,’ ” he said. “What’s going to happen when cities get more busy and people have to live in a smaller space?”
The urban millennium references the announcement, made by the U.N. Department of Economic and Social Affairs in 2007, that “more people (are) living in cities than in rural areas: 3.3 billion people (are) on three percent of the earth’s surface.”
Losekoot brings small flashes with him and sets them up on whatever is available, be it light posts, poles or railings. Then he waits for the perfect moments. Nothing is staged; it’s all a candid flow of human interaction. The most subtle gaze or movement speaks volumes in a still image. Losekoot does his best to be invisible so that people will act naturally and not pose for the camera. The dramatic lighting makes for a very theatrical end product. Running late for the bus suddenly becomes an epic dash through dappled sunlight and illuminated sheet-metal buildings. “The camera made me curious in the world, and the camera is a great way to explore places and people,” Losekoot said. “And it can open doors in a lot of situations.”
Losekoot asks thoughtful questions of society by holding up a mirror and inviting honest examination.