Category: news

CNN Editions – Interview

Life in an ‘urban millennium’

Go to online article here

Interview by Lyric Lewin/CNN Edtions – Updated August 21, 2015

  • Photographer Bas Losekoot is fascinated by city life and its people
  • He took photos in major cities across the world to study how its residents interact
  • In 2007, a U.N. report said 3.3 billion people live in cities — 3% of the world’s surface

(CNN) Take one look at these images and you experience a range of city-life emotions. You feel the noonday sun beating down on your back, surging waves of people on every side of you. You sip your overpriced beverage and stare into the distance for a reprieve from the crowds and from a morning spent on your feet.

You see long shadows and you hear the quiet: the exhale of a city that’s been running hard and long all day — the settling down, the withdrawal of vendors and businessmen and every sort of tradesmen in between.

Dutch photographer Bas Losekoot is interested in these interactions, and by isolating them he examines “the mask that people are wearing on the streets, and things like the gaze — who’s looking at who?

“What do these small gestures on the street tell us about the human condition?” Losekoot asked. “How do people feel and how do people respond to (each other)?” Losekoot was trained as a classical photographer and spent time after graduation shooting stills on film sets. Influenced by the lighting techniques from the cinema, he had the idea: “Why not bring the light to the streets?”

“After that,” he said, “the street became a studio and the people became the actors.” He started in New York three years ago when he had this idea. “I was fascinated by this theme of the ‘urban millennium,’ ” he said. “What’s going to happen when cities get more busy and people have to live in a smaller space?”

The urban millennium references the announcement, made by the U.N. Department of Economic and Social Affairs in 2007, that “more people (are) living in cities than in rural areas: 3.3 billion people (are) on three percent of the earth’s surface.”

When deciding what city to focus on for his project, there are three determining factors, he said: “Speed and scale of urbanization, size of economy, and population density. Once arriving in a new city, Losekoot brings passion for his work, and grit and determination carry him through long days standing on dusty and crowded street corners. “I find these places interesting, because this is where the personality and character and the desires that people have come up in places where the population density is very high,” he said. “You really see what they’re thinking in those places, and small gestures have a lot of information about what we think about ourselves and what we think of each other.”

Losekoot brings small flashes with him and sets them up on whatever is available, be it light posts, poles or railings. Then he waits for the perfect moments. Nothing is staged; it’s all a candid flow of human interaction. The most subtle gaze or movement speaks volumes in a still image. Losekoot does his best to be invisible so that people will act naturally and not pose for the camera. The dramatic lighting makes for a very theatrical end product. Running late for the bus suddenly becomes an epic dash through dappled sunlight and illuminated sheet-metal buildings. “The camera made me curious in the world, and the camera is a great way to explore places and people,” Losekoot said. “And it can open doors in a lot of situations.”

Losekoot asks thoughtful questions of society by holding up a mirror and inviting honest examination.

“What kind of cities are we creating, and in the end are we creating an ideal world? Those are the big themes I like to touch with my work. And the themes I like to raise questions about,” he said. “It’s very difficult to find those answers in photography; it’s hard to see the progress of the city in someone’s eyes. I’m very much interested in the people in there, in the social behavior of the group.” These questions are the driving force that propels Losekoot’s work. Exploring the dynamics of the streets. Capturing a moment in time that you can delve into and resonate with on a very human level. Just pictures of people on the street? Yes. But the underlying implication is that we, the same humanity that used to roam the forest floor, now traverse concrete in this urban millennium.

CUCR Crossing Lines – Presentation

At Crossing Lines, an on-going forum for collaboration between photographers & researchers whose central interest is the urban situation, its constituents & its dynamics, i presented and discussed my project. Crossing lines is working in cooperation with the CUCR: Centre of Urban and Community Research at Goldsmiths, University of London.

Crossing Lines seeks to provide

  • a valuable resource for developing a photographic practice
  • an opportunity to pursue a joint project away from academic demands
  • expanding contacts within photography
  • an additional audience for research-in-progress
  • an alternative channel for disseminating a project
  • the prospect of working with someone who might challenge one’s assumptions

It encourages

  • innovative approaches to collaboration at distance
  • serendipitous encounters
  • accidental outcomes

It believes that

  • everyone benefits from the sharing of supportive reactions to their work
  • photography in itself, and in the service of a wider project, is a developmental and explorative
  • process which can benefit from partnership with others
  • experimental work that has no formal platform for presentation benefits from a sympathetic forum

It is open to

  • all members of London Independent Photography
  • all students, researchers and staff of CUCR
  • all those who have been associated with CUCR and who seek a point of contact for continued practical involvement

Go to Crossing Lines website
Go to CUCR website

C-Platform Artist Talk

Artist Talk at C-Platform, Xiamen/China

C-PLATFORM is a non-profit culture and art research and curatorial organization supported by XIAMEN LUCITOPIA CULTURE CO., LTD, located in Xiamen, China. The organization is focusing on current trends and future concepts in the realm of mixed media. In addition to periodical research subjects and issues it has conducted a series of explorations and related practices. This has been achieved by launching and curating comprehensive research projects and activities which are inter-disciplinary, inter-media and inter-sensory. It attempts to establish an interactive exchange platform that continuously releases creative energy and cultural transformation across the boundaries of content production and communication, public awareness and experience.

C-PLATFORM has established global partnerships with organizations including the Chinese European Art Center, China Design Center UK, China Residencies, Dutch Culture Centre for International Cooperation, Three Shadows Photography Art Centre, Jimei X Arles International Photo Festival, Xiamen Design Week, Xiamen University Art College Digital Media Art Department etc

Go to C-Platfrom Webpage

Amsterdam Fund for the Arts – Development Grant

This project is supported by the AFK (Amsterdam Fund for the Arts), with a ‘Development budget’.

Aimed at artists within all disciplines, independent curators and programmers who would like to give their artistic careers a boost, the AFK provides development grants of up to € 15,000. A development application must focus on an artistic boost in quality for the artist, and should provide insight into how the artist’s visibility will be increased within Amsterdam’s cultural field.

Go to AFK website

 

The New Yorker – Interview

Bas Losekoot’s New York Minute

Interview by Ruby Goldberg

Go to interview online here

In his new series, “New York and the Urban Millennium,” the Dutch photographer Bas Losekoot focusses on on the city’s passing inhabitants. Shining a flashlight on coming and going New Yorkers, he created photographs with a heightened sense of drama that freeze moments of movement, halting the frenetic pace of New York’s commuter culture. Losekoot writes, “This project is about the city as the center of globalized society and how it reflects on its residents …. How do people react to each other in areas of overpopulation? To me street life is a continuous stream of split-second meetings.”

The pictures make use of negative space and the manipulation of shadows, and in many of the “Millennium” photos, the shadows are more prominent than the people. The series also explores how, counterintuitively, the commute can be a time for introspection and psychological divorce from reality.

“New York and the Urban Millennium,” is exhibited at the second annual Photoville festival, in Brooklyn Bridge Park.